With the new season coming out and the sort of emergence of the new DC movie continuity, I was like…oh, I should watch Peacemaker. I had seen The Suicide Squad and Creature Commandos, so it was an easy show to roll into, already being familiar with the character. Binged it up through the first episode… Continue reading Peacemaker: The Deconstruction of a Pathetic Asshole
If I talk about a “graphic novel” vs a “comic” in a very casual way, you’d probably generally understand what kind of distinction I’m trying to make there. At the same time, comic book writers haven’t always had a positive interaction with the term “graphic novel.” Alan Moore is famous for relegating it to a… Continue reading We Need the Term Graphic Novel to Actually Mean Something
Note: There are two versions of this: a shorter outline view and more detailed one describing my logic. This is the shorter version. I've determined there're two ways comics can approach a Big Narrative Change. There's the unexpected and the out of character. And this has nothing to do with fandom response or the quality… Continue reading Spectacular Spider-Man: The Hunger-A Case study in Major Narrative Shifts (Short Version)
Note: There are two versions of this: a shorter outline view and more detailed one describing my logic. This is the longer version. I've determined there're two ways comics can approach a Big Narrative Change. There's the unexpected and the out of character. And this has nothing to do with fandom response or the quality… Continue reading Spectacular Spider-Man: The Hunger-A Case study in Major Narrative Shifts (Long Version)
There’s this really annoying (to me) piece of advice that gets flung around in writing circles about the use of dialog tags. The short is just to not use them at all. Just use “said.” On the surface it’s that same sort of blanket advice that doesn’t actually work and isn’t reflective of real life… Continue reading Acting and Set Design Theory for Books
There was this very interesting thread of videos that popped up on TikTok one time which was essentially just making fun of the way physical actions are described in, typically, romantic works. And not the sexy actions. But things like he “his eyes darkened” or “his mouth curled into a grin.” Because these are a… Continue reading Acting in Book Form
While traditional novels and short stories are the things I always come back to eventually, I’ve spent a lot of time working in other storytelling and writing mediums. I wrote plays as part of my theater education, audio-dramas as part of a larger team, and, for a number of years, narrative video games. And while… Continue reading Do You Have Onscreen Dragon Money?
It’s not uncommon for the hobbyist reader to completely abandon classics and more retro or vintage literature once they’ve moved on from reading for academic purposes. Why not? So many new books come out a year that just getting through all the new releases you’re interested in is a task unto itself. But then, on… Continue reading Why Read Genre Classics if they Come With So Many Problems?
In the real world, when it comes to language about queer identities, we often find ourselves in a bit scuffle with pre-conceived linguistic notions. What’s the actual difference between pan and bi? What are the different ways non-binary identities (genderfluid, genderqueer, agender) interact with each other? What about the micro-labels that pepper the asexual spectrum?… Continue reading Creating a Queernorm Fantasy Setting: The Language Around Attraction
I made a decision very very early in honing my writing as a craft. I was never going to center a story around what someone of a certain gender could or couldn’t do.You’re not going to read a story from me about a young girl who has to pretend to be a boy to join… Continue reading Creating a Queernorm Fantasy Setting: Exploring True Gender Equity
Pixels and Pins Studio 